It is possible to read Jenny Offill’s second novel,
Dept. of Speculation, in a day. In fact, it is more difficult not to, as you will not want to stop reading once you’ve started. The first time I read it, I remember being dazzled by the form: a progression of short paragraphs, sometimes continuous with those around them, sometimes ostensibly standalone, each one a jolt of intelligence or feeling. Here is the one everyone quotes:
My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn’t even fold his own umbrella. Vera licked his stamps for him.
The novel is filled with anecdotes like these, and also sayings, or literary quotes, like this one, which I have written down in my notebook every time I have read this book:
What Rilke said:
I want to be with those who know secret things or else alone.
The second time I read it, I was heartbroken by the story, every bit of it: the writer who sacrifices (too much?) for her family, the wife whose husband has strayed, the woman rebuilding. It is the quality of mind Offill creates that makes this novel so extraordinary, that makes me want to live inside it.
The third time I read it, I realized that this is one of the few novels that I find both formally exciting and emotionally devastating—in a good way. Most writers can pull off one or the other, but Offill does it right: she uses the form to slay you good.
PS: For those, like me, who have read this book too many times already, I am pleased to inform you that Offill’s forthcoming
Weather is just as brilliant and wonderful as
Dept. of Speculation, but it swaps out marriage and swaps in climate change/existential malaise as its main concern, which makes it exactly the kind of book we need right now.
–Emily Temple, Senior Editor